Ethel
Kvalheim – The Top Gun of Rosemaling, by Dixie Brunner
Excerpts taken from The Sons of
Norway Viking, May 1991
“Rosemaling
is a Scandinavian art that arrived in America in the 1800s along with the
Norwegian immigrants. The painting was
used to brighten drab home interiors, decorating ordinary objects such as
kitchen utensils, trunks, furniture and ceiling beams. Since many of Norway’s districts were
isolated, different regional rosemaling styles developed.”
“Ethel
Kvalheim grew up in Stoughton, Wisconsin.
The heavily Norwegian community spawned a number of talented rosemaling
artists in the early 1900s. Her interest
in rosemaling began early. As a young
girl, she’s observed a neighbor who was a skilled rosemaler. Per Lysne (many say the premiere rosemaler of
all time) had a studio in Stoughton.”
When
interviewed for The Sons of Norway Viking magazine for the May 1991 edition,
she said she believes rosemaling styles should be kept separate, maintaining
inherent regional characteristics.
Telemark, Hordaland and Rogaland were prevalent styles in America at the
time. Kvalheim said rosemalers will
ideally copy a regional style and then add their own individual touch.
“Ethel
Kvalheim and several other women began promoting rosemaling by featuring the
work of Wisconsin artists in exhibit. The
women’s early efforts in promoting rosemaling resulted in the birth of the
Wisconsin Rosemalers Association.”
“Ethel
Kvalheim has won so many awards for her work . . .” “She isn’t the type to brag about winning the
1969 rosemaling gold medal from the Vesterheim Museum in Decorah, Iowa.” “. . . Norway’s St. Olaf medal in 1971.”
“The honor
that sent Kvalheim’s rosemaling flying highest was one she received in 1989.” She had won the National Endowment of the
Arts Award and was flown to Washington to receive the most prestigious arts
honor in the United States. “A busload
of 40 proud “Ethel fans” chartered passage to the nation’s capital to witness
Kvalheim’s moment of glory.
At the
evening program held in her honor, newsman Charles Kuralt interviewed
Kvalheim. While discussing her
accomplishments, wall-size pictures of her work were displayed to the audience
on large video screens.”
Excerpts
taken from The Sons of Norway Viking, May 1991
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